Protect, Serve, and Deport exposes the on-the-ground workings of local immigration enforcement in Nashville, Tennessee. Between 2007 and 2012, Nashville's local jail participated in an immigration enforcement program called 287(g), which turned jail employees into immigration officers who identified over ten thousand removable immigrants for deportation. The vast majority of those identified for removal were not serious criminals but Latino residents arrested by local police for minor violations. Protect, Serve, and Deport explains how local politics, state laws, institutional policies, and police practices work together to deliver immigrants into an expanding federal deportation system, conveying powerful messages about race, citizenship, and belonging.
"Amada Armenta artfully weaves participants' justifications for their actions with her own scholarly analysis, finding that bureaucratic priorities, relevant laws, and local norms all help officers distance themselves from the frequently grave consequences of their work." DORIS MARIE PROVINE, Professor Emerita, School of Justice and Social Inquiry, Arizona State University
"This work evocatively shows how local police and jail employees have been drawn unwittingly into arresting and deporting hundreds of thousands of law-abiding immigrants and how this activity erodes trust in the police and fractures families and communities. This is painful but essential reading." CHARLES R. EPP, coauthor of Pulled Over: How Police Stops Define Race and Citizenship
"At a time when enforcement is expanding, this book is increasingly salient for understanding how enforcement is actually performed. It is essential, critical, urgent reading today." CECILIA MENJÍVAR, author of Enduring Violence: Ladina Women's Lives in Guatemala
AMADA ARMENTA is Assistant Professor of Sociology at the University of Pennsylvania.
Since the 2001 overthrow of the Taliban government in Afghanistan, violence against women has emerged as the single most important issue for Afghan gender politics. The Pitfalls of Protection, based on research conducted in Afghanistan between 2009 and 2015, locates the struggles over gender violence in local and global power configurations. Torunn Wimpelmann finds that aid flows and geopolitics have served as both opportunities for and obstacles to feminist politics in Afghanistan. Showing why Afghan activists often chose to use the leverage of Western powers instead of entering into either protracted negotiations with powerful national actors or broad political mobilization, this book examines both the achievements and the limits of this strategy.
“An important contribution to the field of gendered change in Afghanistan. Torunn Wimpelmann provides detailed analysis of the processes of gendered law-making in a space contested by local, national, and global actors and explains the deeply unjust and violent infractions on women’s bodies and lives. Wimpelmann has written an excellent book.” JELKE BOESTEN, author of Sexual Violence in War and Peace: Gender, Power and Postconflict Justice in Peru
“This lucid, meticulously researched, and immensely readable book deftly guides the reader through the political terrain upon which women’s rights are being contested. Essential reading for those with an interest in Afghanistan, gender, gender-based violence, and post-conflict governance.” DENIZ KANDIYOTI, Professor Emeritus of Development Studies, University of London
TORUNN WIMPELMANN is a researcher at Chr. Michelsen Institute.
In the United States, the exercise of police authority—and the public’s trust that police authority is used properly—is a recurring concern. Contemporary prescriptions for police reform hold that the public would trust the police more and feel a greater obligation to comply and cooperate if police-citizen interactions were marked by higher levels of procedural justice by police. In this book, Robert E. Worden and Sarah J. McLean argue that the procedural justice model of reform is a mirage. From a distance, procedural justice seems to offer relief from strained police-community relations. But a closer look at police organizations and police-citizen interactions shows that the relief offered by such reform is, in fact, illusory. A procedural justice model of policing is likely to be only loosely coupled with police practice, despite the best intentions, and improvements in procedural justice on the part of police are unlikely to result in corresponding improvements in citizens’ perceptions of procedural justice.
“Rigorous and thoughtful, this book’s careful methodology and provocative conclusions on procedural justice illuminate key challenges for political leaders, policy makers, and practitioners who strive to improve police-community relations in America. A must-read for police researchers!” STEVEN MASTROFSKI, George Mason University
“This timely book challenges widespread assumptions about procedural justice. It provides a potent reminder that much remains to be learned about how people form perceptions of the police, and how police agencies can influence these perceptions.” EDWARD R. MAGUIRE, Arizona State University
“Since Ferguson, the nation has been searching for solutions to the legitimacy crisis that has engulfed policing. Procedural justice was the number one reform put forward by President Obama’s commission. This book digs into this proposal and provides the best evidence to date on how it actually affects police behavior and public acceptance of being policed.” WESLEY G. SKOGAN, Northwestern University
ROBERT E. WORDEN is Director of the John F. Finn Institute for Public Safety and Associate Professor of Criminal Justice at the University at Albany, SUNY.
SARAH J. McLEAN is Associate Director and Director of Research and Technical Assistance at the John F. Finn Institute for Public Safety.
In 2005, Bolivians elected their first indigenous president, Evo Morales. Ushering in a new “democratic cultural revolution,” Morales promised to overturn neoliberalism and inaugurate a new decolonized society. In this perceptive new book, Nancy Postero examines the successes and failures that have followed in the ten years since Morales’s election. While the Morales government has made many changes that have benefited Bolivia’s majority indigenous population, it has also consolidated power and reinforced extractivist development models. In the process, indigeneity has been transformed from a site of emancipatory politics to a site of liberal nationstate building. By carefully tracing the political origins and practices of decolonization among activists, government administrators, and ordinary citizens, Postero makes an important contribution to our understanding of the meaning and impact of Bolivia’s indigenous state.
“Provides multiple new insights into the Bolivian state in the time of President Evo Morales. It is a must-read for scholars and students interested in the recent political and cultural history of the country.” JOHN ANDREW MCNEISH, Professor of International Development and Environmental Studies, Norwegian University of Life Sciences
NANCY POSTERO is Associate Professor of Anthropology at the University of California,San Diego. She is the author of Now We Are Citizens: Indigenous Politics in Post-Multicultural Bolivia.
Hokum!, the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era, challenges the received wisdom that sound destroyed the slapstick tradition. Author Rob King explores the slapstick short’s Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood’s youth.
“A valuable contribution to historiography in its ability to fill a hole in contemporary film history, increasing our understanding of both the (perceived) narrowed place of the comedy film short in the 1930s and the production and reception of slapstick comedy during that era.” KATHRYN FULLER-SEELEY, Professor of Radio-Television-Film, University of Texas at Austin
“With solid research, jewel-like prose, and plenty of wry humor, Rob King convincingly busts the myths and chases away the nostalgia for silent film comedy. Instead, we leave with a lasting sense of the form’s persistent cultural relevance.” DONALD CRAFTON, author of Shadow of a Mouse
“Hokum! moves deftly through questions of performance, aesthetics, technology, political economy, trade practices, and popular reception to convincingly unseat deeply entrenched understandings of the transition to sound and its impact on the history of screen comedy. This book is some of the smartest film history being written today.” MARK LYNN ANDERSON, author of Twilight of the Idols
ROB KING is Associate Professor at Columbia University’s School of the Arts and author of the award-winning The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture.
Archaeological discoveries in Jerusalem capture worldwide attention in various media outlets. The continuing quest to discover the city’s physical remains is not simply an attempt to define Israel’s past or determine its historical legacy. In the context of the ongoing Israeli-Palestinian conflict, it is also an attempt to legitimate—or undercut—national claims to sovereignty. Bridging the ever-widening gap between popular coverage and specialized literature, Finding Jerusalem provides a comprehensive tour of the politics of archaeology in the city. Through a wide-ranging discussion of the material evidence, Katharina Galor illuminates the complex legal contexts and ethical precepts that underlie archaeological activity and the discourse of “cultural heritage” in Jerusalem. This book addresses the pressing need to disentangle historical documentation from the religious aspirations, social ambitions, and political commitments that shape its interpretation.
“A brilliant book on the contested historical roles of archaeology in modern Jerusalem, a city torn by religious, ideological, and political conflicts. This is a must-read for both scholars and laymen interested in the fascinating, tormented history of the Holy City.” YARON EZRAHI, Professor Emeritus of Political Science, Hebrew University of Jerusalem
“In a work made possible by her remarkable ability to move between Israeli and Palestinian perspectives, Galor uncovers the political dimensions of archaeology as practiced in Jerusalem, bringing to bear her expertise as an archaeologist and an intimate knowledge of the city and its history.” STEVEN WEITZMAN, Abraham M. Ellis Professor of Hebrew and Semitic Languages and Literatures and Ella Darivoff Director of the Katz Center for Advanced Judaic Studies, University of Pennsylvania
KATHARINA GALOR teaches Judaic Studies and Urban Studies at Brown University. She is the coauthor of The Archaeology of Jerusalem: From the Origins to the Ottomans.
The study of South Asian music falls under the purview of ethnomusicology, whereas that of South Asian literature falls under South Asian studies. As a consequence of this academic separation, scholars rarely take notice of connections between South Asian song and poetry. Modernizing Composition overcomes this disciplinary fragmentation by examining the history of Sinhala-language song and poetry in twentieth-century Sri Lanka. Garrett Field describes how songwriters and poets modernized song and poetry in response to colonial and postcolonial formations. The story of this modernization is significant in that it shifts focus from India’s relationship to the West to little-studied connections between Sri Lanka and North India.
“Takes an innovative approach toward studying modern Sinhala songs as literary works in their own right. Garrett Field’s delightful translations and insightful analysis serve to make these little-studied works into a fascinating lens for viewing significant political and cultural changes in modern South Asia.” STEPHEN C. BERKWITZ, author of Buddhist Poetry and Colonialism: Alagiyavanna and the Portuguese in Sri Lanka
“Garrett Field’s attention to poetics makes this book critical for understanding the larger literary culture of the region. His account of Sri Lankan modern song composers operating in relation to the dominant forces of Indian classical and film musics makes it a must-read for ethnomusicologists.” RICHARD K. WOLF, author of The Voice in the Drum: Music, Language and Emotion in Islamicate South Asia
“Masterfully demonstrates how the intertwined histories of Sinhala musical and poetic efforts developed in relation to the political dynamics of Sri Lanka in the early and mid-twentieth century.” AMANDA WEIDMAN, author of Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India
GARRETT FIELD is Assistant Professor of Ethnomusicology in the School of Interdisciplinary Arts and the School of Music at Ohio University.
Motion pictures are made, not mass produced, requiring a remarkable collection of skills, self-discipline, and sociality—all of which are sources of enormous pride among Hollywood’s craft and creative workers. The interviews collected here showcase the pleasures that attract people to careers in film and television. They also reflect critically on changes in the workplace brought about by corporate conglomeration and globalization. Rather than offer publicity-friendly anecdotes by marquee celebrities, Voices of Labor presents off-screen observations about the everyday realities of Global Hollywood. Ranging across job categories—from showrunner to make-up artist to location manager—this collection features voices of labor from Los Angeles, Atlanta, Prague, and Vancouver. Together they show how abstract concepts like conglomeration, financialization, and globalization are crucial tools for understanding contemporary Hollywood and for reflecting more generally on changes and challenges in the screen media workplace and our culture at large.
“Essential reading for anyone interested in how Hollywood actually works.” RAMON LOBATO, author of Shadow Economies of Cinema
“Michael Curtin and Kevin Sanson craft a powerful elegy for organized labor, demonstrating how critical theory is sung to the everyday rhythms of the workplace.” VICKI MAYER, author of Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy
“A star-studded cast with diverse talents, backgrounds, and perspectives tells a varied but consistent tale of the importance of organized labor and the challenges it faces when pitted against the forces of media consolidation and globalization, all set in that magical company town known as Hollywood.” PATRIC M. VERRONE, writer and producer, former president, Writers Guild of America, West
MICHAEL CURTIN is Duncan and Suzanne Mellichamp Professor of Film and Media Studies and director of the Global Dynamics Initiative at University of California, Santa Barbara. KEVIN SANSON is a senior lecturer in the Creative Industries Faculty at Queensland University of Technology and managing editor of Media Industries.
In Hindu Pluralism, Elaine M. Fisher complicates the traditional scholarly narrative of the unification of Hinduism. By calling into question the colonial categories implicit in the term “sectarianism,” Fisher’s work excavates the pluralistic textures of precolonial Hinduism in the centuries prior to British intervention. Drawing on previously unpublished sources in Sanskrit, Tamil, and Telugu, Fisher argues that the performance of plural religious identities in public space in Indian early modernity paved the way for the emergence of a distinctively non-Western form of religious pluralism. This work provides a critical resource for understanding how Hinduism developed in the early modern period, a crucial era that set the tenor for religion’s role in public life in India through the present day.
“A detailed, insightful, and original perspective on a significant and understudied period. It engages intelligently with current discussions of early modern Indian intellectual and religious history, while calling into question key elements of the existing picture of the period among specialists in the field.” LAWRENCE McCREA, Cornell University
“Fisher works at both a micro and macro level to read the intricacies of Smarta Saivism against the broader backdrop of evolving definitions of Hinduism. Her counterintuitive thesis is that sectarianism is not so much a breakup of a preexisting unity but rather an aggregation of discrete religions.” GAURI VISWANATHAN, Columbia University
“Fisher’s work is critical now more than ever in helping us to understand what Hinduism is and how it began to be that way, not in misty antiquity but in early modernity.”ROBERT P. GOLDMAN, University of California at Berkeley
ELAINE M. FISHER is Assistant Professor in the Department of Religious Studies at Stanford University.
Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policy’s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisiana—a city that has twice taken the mantle of becoming a movie production capital. From the silent era to today’s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably.
“A scathing critique of the economic realities and broken promises of Hollywood South, told in rich ethnographic detail and passionately argued through Vicki Mayer’s deep connection to New Orleans. This is a vital book.” NITIN GOVIL, author of Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay
“Mayer guides readers through the numbers and arguments behind Louisiana’s costly love affair with the film industry and raises important questions over whether the state’s citizens are getting their money’s worth.” STEPHANIE GRACE, columnist, The New Orleans Advocate
“A visionary in the study of cultural labor, economy, and geography, Mayer is that rare writer who combines exquisite storytelling with rigorous scholarship. This is an essential contribution to film and media studies, and an urgent history lesson for policy makers.” MELISSA GREGG, author of Work’s Intimacy
VICKI MAYER is Professor of Communication at Tulane University. She is coeditor of the journal Television & New Media and author or editor of several books and journal articles about media production, creative industries, and cultural work.
Placing Empire examines the spatial politics of Japanese imperialism through a study of Japanese travel and tourism to Korea, Manchuria, and Taiwan between the late nineteenth century and the early 1950s. In a departure from standard histories of Japan, this book shows how debates over the place of colonized lands reshaped the social and spatial imaginary of the modern Japanese nation. In turn, this sociospatial imaginary affected the ways in which colonial difference was conceptualized and enacted. The book thus illuminates how ideas of place became central to the production of new forms of colonial hierarchy as empires around the globe transitioned from an era of territorial acquisition to one of territorial maintenance.
In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to airborne churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.